Well the dilemma today was form vs concept. Do I go with something that looks good as opposed to manifesting an idea? Since my work is mostly concept driven it is a tightrope that I often find myself on. The challenge is to find away to honour both and not get lazy and just cave to one side. Balance in all things. Yah Buddha!
Well Ms.Thang is done and I’m not comfortable calling her Torso 8 (especially since she is torso 7, apparently counting is not my strong suit)… so her name, at least thus far, is Motherhood.
I am chanting the potter’s matra “it is only mud until it comes out of the glaze kiln whole it is only mud until it comes out of the glaze kiln whole it is only mud until it comes out of the glaze kiln whole”. Buddha again, attachment = grief (my paraphrasing). sigh. But I’ve already named her… so please pray with me to what ever deity sings to you and hope my girl comes through the upcoming trials whole.
From the 1st day that Duma, the resident Siamese, was able to jump up onto my work table she has been enthralled with it. She loves to stretch out, roll back and forth and wiggle around on it, though it is rarely ever clear enough for her to do that. If I am working on something she will be there supervising & putting her 2 cents in. (I just realized there is no symbol on my key board for cents… when did they drop that?) While there have been casualties not as many as you might think, considering all the face rubbing that goes on. I continue to work with her participation for as long as I can and then I need to boot her out and close the door. And then put up with the whining and scratching outside. Bugger.
So I was thinking that it might be fun to actually write some posts about what creative endeavours I am up to and kind of keep a record of my processes. We’ll see how it goes.
After a long drought with the Torso Series I am in the middle of doing a new one. I actually thought that I had run out of concepts. Then I wondered if I had actually run out of physical space for them which triggered a drying up of my torso juices. Which actually led to a year of not touching clay at all. Any one who knows me will not be surprised at the amount of analysis and angsting I put my poor brain through. That’s the way I roll and am learning not to give myself a hard time about it.. but then I start to analyze that… whatever.
So the new torso…
It was born from a quote I heard about being a mother that has haunted me for years, sitting in my brain fermenting till a few weeks ago it was made physical in the form of a torso. I often create like that and always get such a rush from it when it happens. Of course I can’t tell you the quote otherwise it will give it away, maybe. It could also be so obscure that only I get it, not like that hasn’t happened before. But here is a pic of where I am now.
The carving of the Phoenix is the most time consuming and trickiest of the whole thing, especially with paper clay. The paper in it makes it hard to carve, tends to be flaky. But I like using it since it is soooo flexible and forgiving, allowing me to really push the boundaries of what clay can do. Compromises, always compromises.